Panasonic Lumix S1 + 24-105mm Lens

OVERVIEW
The Panasonic Lumix S1 + 24-105mm Lens is a top-of-the-line full-frame mirrorless camera that offers the highest level of image quality. With its 24.2MP sensor and ISO range of 100-51200, this camera produces stunning, high-resolution images.

One of the standout features of the Lumix S1 is its 6 stop 5 axis dual IS system, which allows for handheld shots in low light or at long distances without the need for additional equipment. The precise 1/8000s-400k shutter and 96MP high resolution mode also contribute to the camera’s exceptional image quality.

In addition to its impressive photography capabilities, the Lumix S1 also offers professional-level video functions. With 4K 60p/50p recording, optional 422 10-bit internal recording or HDMI output, and FHD 180fps, this camera is a versatile tool for videographers.

The Lumix S1 also boasts fast and accurate autofocus, thanks to advanced AI recognition technology. With a lightning-fast 0.08-second AF speed, -6EV lowlight AF, and -3EV low contrast AF, this camera can capture even the most challenging shots with ease. It also features AFS 9fps and AFC 6fps shooting modes.

Designed for instant shooting, the Lumix S1 has intuitive interfaces including a 5760k real viewfinder with a 0.005-second lag, a 2100k triaxial LCD, a status LCD, and a joystick with 8 directions for easy navigation.

In terms of durability and reliability, the Lumix S1 is built to withstand the elements. It is splash, dust, and freeze resistant when fully sealed, and has a sturdy magnesium alloy body with a heat dispersing design. It also has a double slot for XQD and SD cards and can be powered via USB-PD.

The 24-105mm F4.0 Macro O.I.S. lens that comes with the Lumix S1 is also weather-resistant and can quickly switch between focus modes, making it a versatile choice for both photo and video work.

With its high-performance features and advanced technology, the Panasonic Lumix S1 is a full-frame camera that delivers uncompromising results for both photography and videography. Upgrade options and added functions are also available, making this camera a top choice for professionals and enthusiasts alike.

SUMMARY
Lens Mount: L Mount
Audio Inputs: Internal Mic
Image Stabilisation: Yes
Battery Mount / Type: Li-ion Battery Pack
Media Type: SD/SDHC/SDXC
Photo Resolution: 24.2 megapixels
Sensor: CMOS
Video Outputs: 1x HDMI
Weight: 0-2kg
Wi-Fi: Yes
INCLUDED IN BOX
1x Lumix S1 Body
1x Body Cap
1x Hot Shoe Cover
1x Eye Cup
1x Flash Synchro Socket Cap
1x Cover for the Battery Grip Connector
1x Shoulder Strap
1x Battery Pack
1x Battery Charger
1x AC Adaptor
1x AC Mains Lead
1x USB Connection Cable (C-C)
1x USB Connection Cable (A-C)
1x Cable Holder
1x 24-105mm Lens
1x Lens Cap
1x Lens Hood
1x Lens Rear Cap
1x 2 year Warranty

About The Panasonic Lumix S1 + 24-105mm Lens
PLEASE NOTE: New firmware update to be released on 13th July 2021 at 2am BST please click HERE

S1 Firmware Version 2.1

1. New functions and options to be available with the Upgrade Software Key DMW-SFU2.

*Users who already have DMW-SFU2 do not need to purchase extra DMW-SFU2. There is no need of upgrading the camera with DMW-SFU2 if upgrading with DMW-SFU2 was once done before.

-RAW video data output over HDMI to Blackmagic Video Assist 12G HDR

[5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit RAW video data can be output over HDMI to Blackmagic Video Assist 12G HDR, to be recorded as Blackmagic RAW

*All functions may not be available depending on the situation.

*DaVinci Resolve or DaVinci Resolve Studio is required to play back the Blackmagic RAW data. DaVinci Resolve Studio is required to edit the Blackmagic RAW data.

2. Other added functions

– [L.ClassicNeo] and [L.Monochrome S] have been added in [Photo Style].

Panasonic LUMIX S1 – Full-Frame Without Compromise:

It is the industry’s highest level performance for creative vision offering high speed and high precision AF, Dual I.S. enabling handheld shots for dark or distant scenes that would previously have required additional equipment, high precision and high speed shutter, large and high resolution EVF, double memory card slot for XQD and SD Cards, and a 3-Axis Rugged Tiltable LCD emphasising ease of use and supporting professional photography and videography.

The 24.2-megapixel-CMOS is the heart of LUMIX S1. Equipped with outstanding image stabilisation and powered by a new Venus Engine, the camera performs up to the highest standards in photography as well as offering advanced video recording with well-retained highlight and shadow details. To capture the decisive moment, the photographer frames the image using the world’s highest resolution electronic viewfinder with unrivalled clarity via a 5.76-million-dot OLED display.

High Resolution, High Sensitivity:

The LUMIX S1 full frame mirrorless camera uses a 24.2-million-pixel CMOS sensor (35.6 x 23.8 mm) that provides a wide dynamic range and excellent signal to noise ratios at high ISO settings. Efficient pixel design, combined with the high-powered Venus Engine processor, allows standard ISO settings to reach ISO 51.200.

When extra resolution is needed, a High Resolution Mode can be used to create images with a staggering 96 million pixels. The mode combines information recorded in eight exposures that are taken as the Body I.S. system makes tiny off-set adjustments to the sensor position. The result is a 12.000 x 8.000 pixel RAW-file bursting with information. A feature of the High Resolution Mode is the option to supress motion blur.

Dual I.S. 2 for Incredible Shake Compensation:

The 5-axis Body I.S. (Image Stabiliser) system compensates for the effects of camera shake to make shutter speeds up to 5.5-stop slower than usual safe to use. Combined with the 2-axis O.I.S. (Optical Image Stabiliser) in the LUMIX S Series lenses, this Dual I.S. 2 system increases the level of compensation to 6-stop, and works to eliminate the effects of a wide variety of camera movement types in both still and video photography. Making use of sophisticated technology, vibration measurements are taken not only from a gyrosensor but also using information from the CMOS itself and from an accelerometer sensor. To help photographers remove sources of camera shaking, an I.S. Status Scope has been added that displays a graphic interpretation of vibration.

High-Speed Precision Focusing:

Combining contrast detection and Panasonic’s unique DFD technology with ultra-fast processing creates a focusing system that provides both speed and precision. To achieve extremely fast and accurate focusing, the Venus Engine, CMOS sensor and new LUMIX S lenses communicate at up to 480 fps allowing the system to react in 0.08 seconds. The autofocus works with as little light as remarkable -6 EV.

Focus acquisition and tracking is enhanced with Advanced Artificial Intelligence Technology that detects humans, cats, dogs and birds. Identifying the subject helps the system anticipate movement patterns and allows the autofocus to keep tracking the subject even when its back is turned. Face, eye and pupil detection ensure that portraits are focused correctly.

For fast moving situations the LUMIX S1 is capable of shooting at a rate of 9 fps in AFS or 6 fps with continuous focusing. The 6K Photo mode allows bursts of 18-million-pixel JPEG images at 30 fps, while 4K Photo offers sequences at 30 or 60 fps with 8-megapixel resolution.

High Resolution Viewfinder and High Quality Displays:

The world’s highest resolution electronic viewfinder provides photographers with unrivalled clarity via a 5.76-million-dot OLED display. The Real View Finder offers refresh rates of up to 120 fps and a virtually non-existent lag of just 0.005 seconds for smooth and realistic tracking of motion while panning with moving subjects. The display resolution, matched with a 10.000:1 contrast ratio, ensures a very clear and detailed view. The finder magnification can be adjusted from 0.78x to 0.74x or 0.7x for the comfort of the photographer.

The camera’s 3.2 inch touchscreen features 2.1-million-dot resolution and is mounted on a triaxial tilt rear monitor that allows it to flip out for low or high angled viewing in both portrait and landscape orientation. Night Mode, Live View Boost and illuminated buttons help those working in dark conditions and the camera’s top plate offers largest-in-class back-lit status LCD*1 to keep the photographer informed of important shooting settings at a glance.

Professional Video Features:

The LUMIX S1 offers filmmakers exceptional video quality and a wide range of tools to take full creative control of their footage. 4K-video is offered at 60/50p, while full pixel readout is achieved at 30p for exceptionally clean and detailed images. With the full width of the sensor being used, the focal length of lenses is retained and the creative possibilities of extreme shallow depth of field are available. The camera offers a variety of gamma curves, including industry standards such as Cinelike D/V and Like709. To shorten post-processing work, a new flat mode with less contrast and saturation for versatile use is offered. The new Hybrid Log Gamma (HLG) profile allows recording in an even wider dynamic range with rich colours (Like2100) to mimic the abilities of the human eye.

LUMIX S1 allows video recording up to 4K 60/50p 4:2:0 in 8 Bit directly to SD- or XQD-card. 4:2:2 colour sampling can be put out through HDMI. Panasonic will provide a software key to unlock the option to record 4K 60/50p 4:2:2 10 Bit via HDMI-output and 30p/25p/24p in 4:2:2. 10 Bit internally within 2019. This upgrade will also bring V Log with industry leading dynamic range to the LUMIX S1. While time-limitations apply to 4K/60p and High-speed-footage, 4K/30p and Full HD can be recorded without a time limit. High Speed Video allows 2x slow motion at 60fps in 4K, and up to 6x slow motion in Full HD with frame rates of up to 180fps.

Line-input is supported by a 3.5 mm microphone socket while audio can be monitored using the 3.5 mm headphone port. Advanced audio quality can be achieved using the DMW-XLR1 microphone adapter in the hot shoe with professional microphones and XLR input sources.

Designed to Meet Professional Expectations:

Developed for professional photographers, the LUMIX S1 has been built to withstand heavy use with magnesium alloy die-cast front and rear panels and sealing at every joint, dial and button. The camera is resistant to dust, splashes and operates at temperatures as low as -10°C. The shutter unit is designed to endure 400,000 actuations. It allows mechanically driven exposure times as short as 1/8000 sec to ensure the capture of fast moving subjects even using open aperture settings of fast lenses in the bright sunshine. The external flash can be synchronised with the industry’s fastest shutter speed of 1/320 second..

The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. A lock lever prevents unintentional operation and the user can choose which functions to lock. Photographers can also protect their work by having the camera automatically add their personal details and copyright information to Exif data as pictures are recorded. Double memory card slots are provided for SD (UHS-II) and XQD media, and compatibility with CFexpress is due in the near future.

Creative Control Made Easy:

For the individual look, in-camera controls provide the photographer with great flexibility in the way the JPEGs are recorded. Each photo style can be adjusted and new ones can be created and saved. A Flat option produces JPEGs with flat contrast and saturation as a flexible starting point for post-processing. New photo styles include HLG Photo Modes (Hybrid Log Gamma) for vibrant high dynamic range pictures that retain extreme highlight detail suitable for display on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. Images taken with the HLG Modes can be saved as HSP files in stunning 8K resolution, as well as in JPEG and RAW formats.

When shooting portraits the new AWBw white balance setting creates an attractive moderate red tint, and a new Highlight Weighted Light Metering Mode prioritises the retention of detail in the brightest areas of the picture. New panoramic aspect ratios add extra creative possibilities, with 65:24 Film Panorama and 2:1 wide frame formats offering exciting dimensions at the shooting stage.

Connectivity and Remote Shooting:

Remote Shooting via LUMIX Tether
Bluetooth 4.2
Wi-Fi 5GHz/ 2.4GHz
The LUMIX S1 is compatible with LUMIX Tether software that allows remote control of the camera over USB from a PC, as well as live view streaming and direct transfer of pictures to a PC as they are recorded.

LUMIX Sync is a new smartphone app for iOS/Android devices that enables remote control of the camera and photo transfer from the camera to the phone/tablet.

Compatibility with Bluetooth 4.2 enables a constant connection with a smartphone or tablet with minimum power consumption, as well as allowing camera settings to be shared between multiple LUMIX S1 bodies. Wi-Fi 5GHz (IEEE802.11ac) in addition to 2.4GHz (IEEE802.11b/g/n) provides a secure and faster connection to smartphones/tablets for remote control and image/video transfer.

The LUMIX S 24-105mm F4 MACRO O.I.S.:

A versatile standard zoom lens covering wide-angle to medium-telephoto focal lengths. It assures excellent sharpness across the entire zoom range and is useful for many applications from landscapes to portraiture. It is also perfect for close-up and macro work, offering 0.5 x magnification and a closest focus distance of merely 0.3 m. Combining the Optical Image Stabiliser (O.I.S) with the Body Image Stabilisation system of the LUMIX S1 and S1R cameras allows 5-Axis Dual I.S. 2 technology to offer up to 6 stops of compensation. The lens comprises 16 elements in 13 groups and uses two aspherical lenses and two extra-low dispersion elements to avoid chromatic aberration and achieve high degrees of detail resolution.

L-Mount:

The L-Mount was developed by Leica Camera to provide customers with a future-proof, flexible, robust and precise bayonet that will meet even the most demanding photographic requirements. After its initial launch in 2014 in the Leica T, the L-Mount has been continuously developed by Leica Camera and its partners, resulting in improved and quasi-new L-Mount technology.

For the widest possible variety of products, the diameter of the L-mount was put at a new dimenison of 51.6 millimeters, making it suitable not only for full-frame cameras but also for APS-C sensors. The small footprint of only 20 millimeters allows for a small distance between optics and sensor, making lenses much more compact – particularly useful for wide angle development. To withstand even the heaviest loads and to guarantee maximum safety for customers over many years of intensive use, camera bayonets become wear resistant Stainless steel and with four flange segments, which prevents tilting and ensures a particularly firm and flat fit of the lens. The standardised L-Mount contact strip ensures smooth communication between the electronic components in the lens and the camera, including the possibility of firmware updates for lenses, in order to react to technical developments and thus ensure full performance in the future. Currently, the Leica SL system in full format and the APS system with camera models Leica CL, TL2 and TLde use the lens mount. All the optics of the different systems can be operated without restrictions and without adapters on all cameras – here is already one of the many advantages that customers have through the unified bayonet.

Designed to incorporate an entire array of Panasonic technology refined over a century in the consumer electronics business and ten years developing Mirrorless cameras, the new S1 model will retain essential user-friendliness and robustness as tools for photography or videography by professionals.

The L-Mount was developed by Leica Camera to provide customers with a future-proof, flexible, robust and precise bayonet that will meet even the most demanding photographic requirements. After its initial launch in 2014 in the Leica T, the L-Mount has been continuously developed by Leica Camera and its partners, resulting in improved and quasi-new L-Mount technology.

For the widest possible variety of products, the diameter of the L-mount was dimensioned at 51.6 millimeters, making it suitable not only for full-frame cameras but also for APS-C sensors. The small footprint of only 20 millimeters allows for a small distance between optics and sensor, making lenses much more compact – particularly useful for wide angle development. To withstand even the heaviest loads and to guarantee maximum safety for customers over many years of intensive use, camera bayonets become wear resistant Stainless steel and with four flange segments, which prevents tilting and ensures a particularly firm and flat fit of the lens. The standardized L-Mount contact strip ensures smooth communication between the electronic components in the lens and the camera, including the possibility of firmware updates for lenses, in order to react to technical developments and thus ensure full performance in the future.

Currently, the Leica SL system in full format and the APS system with camera models Leica CL, TL2 and TLde use the lens mount. All the optics of the different systems can be operated without restrictions and without adapters on all cameras – here is already one of the many advantages that customers have through the unified bayonet.In the near future, both the Leica CameraAG, as well as Panasonic and Sigma announce other products using the same standard.

TYPE
Type Digital Single Lens Mirrorless camera
Recording media XQD Memory Card, SD Memory Card / SDHC Memory Card* / SDXC Memory Card*,
CFexpress Card (CFexpress Ver2.0 Type B) (*7)
*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90
standard SDXC Memory Cards.
Lens mount L-Mount
IMAGE SENSOR
Type 35mm full-frame (35.6mm x 23.8mm) CMOS sensor
Camera effective pixels / Total pixels 24.20 megapixels / 25.28 megapixels
Aspect ratio / Color filter 3:2 / Primary color filter
Dust reduction system Supersonic wave filter
LATITUDE
LATITUDE 14+ stops (V-Log) (*5) (*6)
STILL IMAGE
Image quality RAW / RAW+Fine / RAW+Standard / Fine / Standard
Color Space sRGB, AdobeRGB
Recording file format
Still image JPEG (DCF, Exif 2.31), RAW, HLG Photo (CTA-2072)
6K PHOTO(*2) / 4K PHOTO(*2) 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))
4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
Extracted still images: JPEG (DCF, Exif 2.31)
Aspect ratio
Aspect ratio 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
File size(Pixels)
When using full-frame lenses / 3:2 6000×4000(L) / 4272×2848(M) / 3024×2016(S) / 12000×8000(XL)*
*High Resolution Mode. RAW file.
5184×3456(6K PHOTO) / 3504×2336(4K PHOTO) / 5984×4000(HLG PHOTO, Full-Res.) / 3232×2160(HLG PHOTO, 4K-Res.)
When using full-frame lenses / 4:3 5328×4000(L) / 3792×2848(M) / 2688×2016(S) / 10656×8000(XL)*
*High Resolution Mode. RAW file.
4992×3744(6K PHOTO) / 3328×2496(4K PHOTO) / 5312×3984(HLG PHOTO, Full-Res.) / 2880×2160(HLG PHOTO, 4K-Res.)
When using full-frame lenses / 16:9 6000×3368(L) / 4272×2400(M) / 3024×1704(S) / 12000×6736(XL)*
*High Resolution Mode. RAW file.
3840×2160(4K PHOTO) / 5888×3312(HLG PHOTO, Full-Res.) / 3840×2160(HLG PHOTO, 4K-Res.)
When using full-frame lenses / 1:1 4000×4000(L) / 2848×2848(M) / 2016×2016(S) / 8000×8000(XL)*
*High Resolution Mode. RAW file.
2880×2880(4K PHOTO) / 4000×4000(HLG PHOTO, Full-Res.) / 2144×2144(HLG PHOTO, 4K-Res.)
When using full-frame lenses / 65:24 6000×2208(L)
When using full-frame lenses / 2:1 6000×3000(L)
When using APS-C lenses / 3:2 3984×2656(L) / 2880×1920(M) / 2064×1376(S)
When using APS-C lenses / 4:3 3536×2656(L) / 2560×1920(M) / 1840×1376(S)
When using APS-C lenses / 16:9 3984×2240(L) / 2880×1624(M) / 1920×1080(S)
When using APS-C lenses / 1:1 2656×2656(L) / 1920×1920(M) / 1376×1376(S)
MOTION PICTURE
Recording file format MOV: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) (*5) (*6)
*When attaching DMW-XLR1 (sold separately).
MP4: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch)),
MP4 HEVC: H.265/HEVC (Audio format: AAC (2ch))
AVCHD Progressive (Audio format: Dolby Audio (2ch)), AVCHD (Audio format: Dolby Audio (2ch))
MOV(*2) (*5) [6K] 5952×3968 (3:2) High-res audio is selectable only when using the DMW-XLR1 (sold separately). 23.98p, 200Mbps
(4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
MOV(*2) (*5) [5.4K] 5376×3584 (3:2) High-res audio is selectable only when using the DMW-XLR1 (sold separately).
29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
MOV(*2) (*5) [5.9K] 5888×3312 High-res audio is selectable only when using the DMW-XLR1 (sold separately). 29.97p, 200Mbps(4:2:0 10-bit
LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
MOV(*2) (*5) [C4K] 4096×2160 High-res audio is selectable only when using the DMW-XLR1 (sold separately). 59.94p, 200Mbps (4:2:0 10-bit
LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*9)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*9)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
MOV(*2) (*5) [4K] 3840×2160 High-res audio is selectable only when using the DMW-XLR1 (sold separately). 59.94p, 200Mbps (4:2:0 10-bit
LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6)
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM, High-Res Audio) (*9) *HLG is selectable.
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6)
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
MOV(*2) (*5) [Anamorphic 4K] 3328×2496 (4:3) High-res audio is selectable only when using the DMW- XLR1 (sold separately). 59.94p, 100Mbps
(4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
MOV(*2) (*5) [FHD] 1920×1080 High-res audio is selectable only when using the DMW-XLR1 (sold separately). 59.94p, 100Mbps (4:2:2 10-bit
LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable.
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, High-Res Audio) (*6) *HLG is selectable
MP4(*2)High speed video *When Creative Video Mode is selected. [4K] 3840×2160 59.94p, 150Mbps (4:2:0 8-bit LongGOP)
(H.264/MPEG-4 AVC, LPCM)
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4(*2) High speed video *When Creative Video Mode is selected.[FHD] 1920×1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP)
(H.264/MPEG-4 AVC, AAC)
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4 HEVC(*2) [4K] 3840×2160 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC, HLG recording)
25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC, HLG recording)
23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC, HLG recording)
AVCHD Progressive(*2) AVCHD(*2) [FHD] 1920×1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (Dolby Audio)
50.00i, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 25.00fps)
50.00i, 17Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 50.00fps)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio)
MP4(*2) High speed video *When Creative Video Mode is selected. [4K] 3840×2160 29.97p (Sensor output is 60fps)
25.00p (Sensor output is 50fps)
23.98p (Sensor output is 48fps)
MP4(*2) High speed video *When Creative Video Mode is selected. [FHD] 1920×1080 29.97p (Sensor output is 180fps / 150fps)
25.00p (Sensor output is 150fps / 125fps)
Continuous recordable time (Motion picture)(*2) Approx. 150 min (rear monitor), 140 min (LVF) in [AVCHD/FHD/60p]
*When using S-R24105 and SD Memory Card.
Approx. 160 min (rear monitor), 150 min (LVF) in [AVCHD/FHD/60p] *When using S-R2060 and SD Memory Card.
Actual recordable time (Motion picture)(*2) Approx. 75 min (rear monitor), 70 min (LVF) in [AVCHD/FHD/60p]
*When using S-R24105 and SD Memory Card.
Approx. 80 min (rear monitor), 75 min (LVF) in [AVCHD/FHD/60p] *When using S-R2060 and SD Memory Card.
HDMI RAW DATA OUTPUT (*5)
Compatible external devices ATOMOS Ninja V 4K HDR Monitor-Recorder (AtomosOS 10.63 or higher)
*Firmware must be updated to version 2.0 or later.
Blackmagic Video Assist 5″ 12G HDR, Blackmagic Video Assist 7″ 12G HDR (version 3.43 or higher)*
*Firmware must be updated to version 2.1.
*This does not guarantee all of the capabilities that the compatible external recorder may have.
Rec quality
NTSC (59.94Hz)[5.9K] 5888×3312 29.97p, 12-bit (LPCM, High-Res Audio)
23.98p, 12-bit (LPCM, High-Res Audio)
NTSC (59.94Hz)[4K] 4128×2176 (17:9) 59.94p, 12-bit (LPCM, High-Res Audio)
29.97p, 12-bit (LPCM, High-Res Audio)
23.98p, 12-bit (LPCM, High-Res Audio)
NTSC (59.94Hz)[Anamorphic 3.5K] 3536×2656 (4:3) 29.97p, 12-bit (LPCM, High-Res Audio)
23.98p, 12-bit (LPCM, High-Res Audio)
PAL (50.00Hz)[5.9K] 5888×3312 25.00p, 12-bit (LPCM, High-Res Audio)
PAL (50.00Hz)[4K] 4128×2176 (17:9) 50.00p, 12-bit (LPCM, High-Res Audio)
25.00p, 12-bit (LPCM, High-Res Audio)
PAL (50.00Hz)[Anamorphic 3.5K] 3536×2656 (4:3) 50.00p, 12-bit (LPCM, High-Res Audio)
25.00p, 12-bit (LPCM, High-Res Audio)
Audio format LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)
*High-res audio is selectable only when using the DMW-XLR1 (sold separately).
VIEWFINDER
Type OLED Live View Finder
Pixels Approx. 5,760k dots
Field of view / Magnification Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2
Eye point / Diopter adjustment Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +2.0 (dpt)
Eye sensor Yes
Display speed 120fps / 60fps
Display time lag Approx. 0.005sec
REAR MONITOR
Type TFT LCD monitor with static touch control
Monitor size Triaxial tilt, 3.2-inch (8.0cm), 3:2 aspect
Pixels Approx. 2,100k dots
Field of view Approx. 100%
STATUS LCD
STATUS LCD Yes
FOCUS
Type Contrast AF system
DFD technology Yes
Focus mode AFS (Single) / AFC (Continuous) / MF
AF mode Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) /
Zone (Square) / Zone (Oval) / 1-Area+* / 1-Area* / Pinpoint / Custom 1, 2, 3
(Full area touch is available) (Scalable AF frame size and flexible AF position) *Human/Animal Detection AF can be set ON or OFF. (*9)
AF detective range EV -6 – 18 (F1.4, ISO100 equivalent, AFS)
AF custom setting AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist lamp Yes
AF lock Set the Fn button in custom menu to AF lock
Post Focus / Focus Stacking Yes / Yes
Others AF-ON, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording),
Eye Sensor AF, AF-Point Scope Setting, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking,
Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock, Show/Hide AF Mode
EXPOSURE CONTROL
Light metering system 1,728-zone multi- pattern sensing system
Light metering mode Multiple / Center Weighted / Spot / Highlight Weighted
Metering range EV0-18 (F2.0 lens, ISO100 equivalent)
Exposure mode Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure
ISO sensitivity (Standard Output Sensitivity) Auto / 50* / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 /
102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO
Dual Native ISO (*9) Auto / Low / High
Exposure compensation 1/3 EV step ±5EV (±3EV for motion picture)
AE lock Set the Fn button in custom menu to AE lock
IMAGE STABILIZATION SYSTEM
IMAGE STABILIZATION SYSTEM Image sensor shift type (5-axis)
6.0-stop* * Firmware must be updated to version 1.2 or later. Based on the CIPA standard
[Yaw/Pitch direction: focusing distance f=50mm when S-X50 is used.]
Dual I.S. (Dual I.S. 2 compatible)
6.5-stop* * Firmware must be updated to version 1.2 or later. Based on the CIPA standard
[Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used.] Based on the
CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]
7.0-stop* * Firmware must be updated to version 1.3 or later. Based on the
CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-E70200 is used.]
WHITE BALANCE
White balance AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash /
White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment Blue/Amber bias, Magenta/Green bias
Color temperature setting 2500-10000K in 100K
SHUTTER
Type Focal-plane shutter
Shutter speed Still image: Bulb (Max. 30 minutes), 1/8,000 – 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 – 60
Electronic shutter: Bulb (Max. 60 sec), 1/8,000 – 60
Motion picture: 1/16,000 – 1/25
Shutter life Approx. 400,000 images
Self timer 10sec, 3 images / 2sec / 10sec
Remote control Remote control by DMW- RS2 (sold separately)
Silent mode / Shutter type Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)
BRACKET
AE bracket 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture Bracket 3, 5 or all positions in 1 EV step
Focus Bracket 1 to 999 images, focus steps can be set in 10 levels
White balance bracket 3 images in blue/amber axis or in magenta/green axis, color temperature setting
BURST SHOOTING
Burst speed -Mechanical shutter / Electronic front curtain shutter AFS/MF: H: 9 frames/sec, M: 5 frames/sec (with Live View),
L: 2 frames/sec (with Live View)
AFC: H: 6 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Burst speed -Electronic shutter AFS/MF: H: 9 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Number of recordable images – When using CFexpress Card(*7) [Panasonic Corporation CFexpress Card]
RAW: More than 999 images
RAW+JPEG: More than 75 images
JPEG: More than 999 images
*Using a Panasonic Corporation CFexpress Type B 256GB (RP-CFEX256) Memory Card.
Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
[SanDisk Corporation CFexpress Card]
RAW: More than 450 images
RAW+JPEG: More than 75 images
JPEG: More than 999 images
*Using a SanDisk Corporation CFexpress Type B Extreme PRO 256GB (SDCFE-256G) Memory Card.
Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
Number of recordable images – When using XQD memory card RAW: More than 90 images
RAW+JPEG: More than 70 images
JPEG: More than 999 images
*Using a Sony Corporation XQD G Series Memory Card. Until the burst shooting speed slows.
When recording is performed under the test conditions specified by Panasonic.
6K PHOTO(*2) / 4K PHOTO(*2)
Burst speed 6K PHOTO: 30 frames/sec
4K PHOTO: 60 frames/sec, 30 frames/sec
Exit information Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.)
FLASH
Flash type TTL External Flash (sold separately)
Flash Mode Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction /
Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization 1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment 1/3EV step ±3EV
Synchronization speed Less than 1/320 second *The guide number decreases at 1/320 second. Only when set to M mode or S mode.
Wireless control Yes (When using DMW- FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
Flash sync socket Yes
EXTRA TELE CONVERSION
EXTRA TELE CONVERSION 2.0x (EX S), 1.4x (EX M) *Only for still image recording.
PHOTO STYLE
Photo Style Standard / Vivid / Natural / L. Classic Neo (Firmware version 2.1)* / Flat / Landscape /
Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S (Firmware version 2.1)* /
Cinelike D / Cinelike V / Like709 / V-Log (Firmware version 1.2 or later)* (*5) / Standard (HLG) /
Monochrome (HLG) / Like2100 / My Photo Style 1-10 *Firmware must be updated.
Picture adjustment Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect
/ Grain Effect / Color Noise* / Sharpness / Noise Reduction / ISO /
WB (Adjustable settings vary depending on the Photo Style mode.) *Firmware must be updated to version 2.1.
FILTER
FILTER Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome /
Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect /
Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine*
*For photos only.
MOTION PICTURE FUNCTION
Vertical Position Information (*9) ON / Off
Luminance level 8-bit: 0-255 / 16-235 (*5) (*6) / 16-255
10-bit (*5) (*6): 0‒1023 / 64‒940 / 64‒ 1023
Wave form monitor(*5) (*6) Yes
LUT display(*5) (*6) LUT View Assist (Monitor) / LUT View Assist (HDMI)
Anamorphic desqueeze display (*9) 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Time code (*5) (*9) Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC is selected.)
SS/Gain operation(*8) Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
FUNCTION BUTTON
REC Exposure Comp. / Dual Native ISO Setting (*9) / Sensitivity / White Balance / Photo Style /
Metering Mode / Aspect Ratio / Picture Quality / Picture Size / HLG Photo / High Resolution Mode /
1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG /
i.Dynamic Range / Filter Effect / One Push AE / Touch AE /
Exposure Mode / AF Mode/MF / AF Custom Setting(Photo) / AF Custom Setting(Video)
/ Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed
/ Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift (*6)
/ AF-ON: Far Shift (*6) / AF-Point Scope / Focus Area Set / Flash Mode
/ Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot “6K/4K PHOTO”
/ Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv.
/ Flicker Decrease (Photo) / Post-Focus / Motion Pic. Rec Format
/ Motion Pic. Rec Quality / Time Code Display (*5) (*9) / Sound Rec Level Disp.
/ Sound Rec Level Adj. / XLR Mic Adaptor Setting (*5) (*9)
/ Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video)
/ Q.MENU / Rec / Playback Switch / Video Record / LVF/Monitor Switch
/ LVF Magnification / Dial Operation Switch / Preview / Preview Aperture Effect (*7)
/ Constant Preview / Level Gauge / Histogram / Photo Grid Line / Live View Boost
/ Monochrome Live View / Night Mode / LVF/Monitor Disp. Style / Photo/Video Preview
/ Zebra Pattern / LUT View Assist (Monitor) (*5) (*6) / LUT View Assist (HDMI) (*5) (*6)
/ HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay
/ I.S. Status Scope / WFM (*5) (*6) / Anamorphic Desqueeze Display (*5) (*9)
/ Focus Ring Control/ Zoom Control / Destination Card Slot / Wi-Fi
/ No Setting / Off (Disable Press and Hold) (*7) / Restore to Default
PLAY Magnify from AF Point / HLG View Assist(Monitor) / Anamorphic Desqueeze Display (*5) (*9)
/ RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect
/ Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch
/ Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone)
/ HLG View Assist (HDMI) / LUT View Assist (HDMI) (*5) (*6)
/ HLG View Assist (HDMI) (*5) (*6) / 6K/4K Photo Play
/ No Setting / Off (Disable Press and Hold) (*7) / Restore to Default
Fn LEVER
Fn LEVER AF Mode / Photo Style / Picture Quality / Long Exposure NR / Focus Peaking
/ Bracketing / Silent Mode / Image Stabilizer / Shutter Type
/ 6K/4K PHOTO (Pre-Burst) / Focus Ring Lock / Touch Screen / Touch Pad AF
/ Auto Review (Photo) / Live View Boost / Night Mode / Sheer Overlay
/ Front/Rear/Control Dial Lock / No Setting / Restore to Default
LEVEL GAUGE
LEVEL GAUGE Yes
OSD LANGUAGE
OSD LANGUAGE Japanese, English, German, French, Italian, Spanish, Polish, Czech,
Hungarian, Romanian, Netherlandic, Turkish, Portuguese, Finnish, Danish, Swedish, Greek, Russian
PRINT
PRINT PictBridge compatible
INTERFACE
USB SuperSpeed USB 3.1 Gen1 Type-C
HDMI*** Monitor-through MP4: 4:2:2 8bit (Except for [4K/60p]/[4K/50p]) / 4:2:0 8bit
MOV: 4:2:2 10bit (*5) (*6) (When [4K/60p]/[4K/50p] mode is selected in [Rec Quality],
it is not possible to record motion picture or still picture on the memory card in the camera unit.)
HDMI*** Playback HDMI TypeA / VIERA Link
Video: Auto / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p
Audio: Stereo
Audio video output No
Remote input φ2.5mm
External microphone / external audio device input φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE is selectable.
Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately).
Headphone output φ3.5mm
Microphone Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately).
Speaker Monaural
Card slot Slot 1: XQD Memory Card, CFexpress Card (CFexpress Ver2.0 Type B) (*7)
Slot 2: SD Memory Card, SDHC Memory Card*, SDXC Memory Card*
*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and
UHS-II Video Speed Class 90 standard SDXC Memory Cards.
WIRELESS
Wi-Fi 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
5GHz bands (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries.
Please refer to “Wi-Fi” Sheet
Bluetooth Bluetooth® v4.2 (Bluetooth Low Energy (BLE))
DUST AND SPLASH RESISTANT
DUST AND SPLASH RESISTANT* Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is
subjected to direct contact with dust and water.
POWER
Battery Li-ion Battery Pack (7.4V, 3050mAh, 23Wh) (bundled)
USB power supply, USB power charging
Battery life (CIPA standard)/ When using CFexpress Card Approx. 380 images (rear monitor),
360 images (LVF), 1,100 images (Power Save LVF mode*) with S-R24105
Approx. 400 images (rear monitor), 380 images (LVF), 1,150 images (Power Save LVF mode*) with S-R2060
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
Battery life (CIPA standard)/ When using XQD memory card Approx. 380 images (rear monitor), 360 images (LVF),
1,100 images (Power Save LVF mode*) with S-R24105
Approx. 400 images (rear monitor), 380 images (LVF), 1,150 images (Power Save LVF mode*) with S-R2060
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
Battery life (CIPA standard)/ When using SD memory card Approx. 400 images (rear monitor), 380 images (LVF),
1,150 images (Power Save LVF mode*) with S-R24105
Approx. 420 images (rear monitor), 400 images (LVF), 1,200 images (Power Save LVF mode*) with S-R2060
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
Battery grip DMW-BGS1 (sold separately)
DIMENSIONS / WEIGHT
Dimensions (W x H x D) Approx. 148.9 x 110.0 x 96.7 mm / 5.86 x 4.33 x 3.81 inch (excluding protrusions)
Weight Approx. 1,021g / 2.25 lb (XQD Memory Card x 1, Battery, Body)
Approx. 1,017g / 2.24 lb (SD Memory Card x 1, Battery, Body)
Approx. 899g / 1.98 lb (Body only)
OPERATING ENVIRONMENT
Operating temperature**** -10oC to 40oC (14oF to 104oF)
Operating humidity 10%RH to 80％RH
STANDARD ACCESSORIES
Software- Recording LUMIX Tether
・ This software is used to control a Panasonic digital camera from a PC.
It allows you to change various settings of the camera, perform remote recording,
and save remotely recorded images to the PC. Check the site below to download and install the software.
http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
Software- Playback / Editing ・ The software to edit and playback images on computer is not bundled with this camera. To do this,
PHOTOfunSTUDIO 10.1PE is available for download at Panasonic website using computer connected to the Internet.
https://panasonic.jp/support/global/cs/soft/download/d_pfs1001pe.html(For Windows)
・ The software to process RAW file on computer is not bundled with this camera.
To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory’s website using
computer connected to the Internet.
http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)
Standard accessories DC-S1M Kit / DC-S1K Kit
Body Cap, Hot Shoe Cover, Eye Cup, Flash Synchro Socket Cap, Cover for the Battery Grip Connector, Shoulder Strap,
Battery Pack, Battery Charger, AC Adaptor, AC Mains Lead, USB Connection Cable (C-C),
USB Connection Cable (A-C), Cable Holder, Lens Cap, Lens Hood, Lens Rear Cap
・ The DC-S1 Operating Instructions for advanced features is available for downloaded
at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.
INTERCHANGEABLE LENS-1
Lens Name LUMIX S 24-105mm F4 MACRO O.I.S.
Lens Construction 16 elements in 13 groups (2 aspherical ED lenses, 2 aspherical lenses, 1 UED lens, 2 ED lenses)
Mount L-Mount
Optical Image Stabilizer Yes
Focal Length f=24-105mm
Aperture Type 9 diaphragm blades / Circular aperture diaphragm
Maximum Aperture F4.0
Minimum Aperture F22
Closest Focusing Distance 0.30m / 0.98ft
Maximum magnification Approx. 0.5x
Diagonal Angle of View 84°(Wide) – 23° (Tele)
Dust and Splash Resistant Yes
The Top Level Image Quality in Full-frame Mirrorless Cameras:
24.2MP (ISO100-51200)
6 Stop 5 Axis Dual IS
Precise 1/8000s400k Shutter
96MP High Res Model

Video Function For Professionals:
4k 60p / 50p
Optional 422 10Bit Internal Rec / HDMI Out
FHD 180fps
HDR Video

Fast, Accurate AF Together with Recognition Technology by AI:
0.08Sec
-6EV Lowlight AF
-3EV Low Contrast AF
Deep Learning Technology
AFS 9fps / AFC 6fps

Intuitive Interfaces for Instant Shooting:
5760k Real View Finder (0.005sec lag)
2100k Triaxial LCD
Status LCD
Joystick with 8 Directions

Durability / Reliability:
Splash/Dust / Freeze Resistant (when 100% Sealed)
Magnesium Alloy Body
Heat Dispersing Design
XQD / SD Double Slot
USB=PD Power Supply

24-105mm F4.0 Macro O.I.S. Lens:

Weather-resistant design
Quick switch between Focus modes
Designed for photo- and video-work
Perfect general purpose lens
0.5x magnification macro shooting
6-Stop image stabilisation