Yamaha MG10 XU F Mixing Console

Overview
The Yamaha 10-Channel Mixing Console is a high-quality, versatile piece of equipment suitable for a variety of users and applications. With 4 microphone and 10 line inputs, as well as a stereo bus and AUX with FX, this console offers plenty of options for shaping your sound. It also features “D-PRE” mic preamps with an inverted Darlington circuit, 1-knob compressors, and high-grade effects for studio-quality sound. Additionally, it has 24-bit/192kHz 2in/2out USB audio functions and is compatible with the iPad through the Apple iPad Camera Connection Kit or Lightning to USB Camera Adapter.

The MG Series mixers from Yamaha embody the company’s legacy of superior craftsmanship and innovation. These compact consoles feature Yamaha’s D-PRE preamps, which deliver natural, high-quality sound with low distortion. They also have high-quality op-amps and switchable phantom power and PAD switches for added versatility. With 1-knob compressors and EQ, the MG Series consoles give you the tools you need to produce professional-quality sound with ease.

Summary
Accessory Type: Mixing Console
Line Inputs: 10
Mic Inputs: 4
Included in box
1 x Yamaha MG10XUF 10-Channel Mixing Console with Max 4 Mic / 10 Line Inputs

About the Yamaha MG10 XU F Mixing Console
For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

D-PRE (Discrete Class-A Mic Preamps)

This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha’s studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to “fix” your mix.

High Quality Sound Op-amp

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.

Switchable Phantom Power & PAD Switch

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic’ed instruments during performance, avoiding the clippingthat can seriously affect your mix.
When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

1-knob Compressors

Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.

EQ and High-pass Filters

There’s nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha’s unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.

AUX / Effect Sends / Group

MG Series mixers feature up to AUX sends for expanding your sound reinforcement or recording setup, allowing you to incorporate additional effects, output to external recording devices, or feed to an monitoring system. (except for MG06 / 06X) Master send controls are also provided. The MG06 / 06X, MG10 / 10XU / 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

A variety of input / output connectors

All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 / 10XU / 10XUF / 12XUK) The function of another two stereo channel vary depending on model: With MG20 / 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 / 12XU and MG16 / 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 / 10XU / 10XUF and MG12XUK are equipped with additional stereo channel with a pair of phone jack that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L/R, TRS phone L/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX/FX OUT (TRS phone), MONITOR OUT (TRS phone L/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.
LED level meteringEasy-to-read LED level metering allows output levels to be monitored with precision.

Built-in SPX Digital Effects

For musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X / XU models features Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on / off control. (MG10XU / 10XUF / 12XU / 12XUK / 16XU / 20XU).

Mixing capability SPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on/off)
I/O – Phantom Power +48 V
I/O – Digital I/O USB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit
Input Channels – Mono[MIC/LINE] 4
Input Channels – Stereo[LINE] 3
Output Channels – STEREO OUT 2
Output Channels – MONITOR OUT 1
Output Channels – PHONES 1
Output Channels – AUX SEND 1
Bus Stereo: 1, AUX[FX]: 1
Input Channel Function PAD [26 dB (Mono)]
HPF [80 Hz, 12 dB/oct (Mono)]
COMP [1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1
Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msec]
EQ HIGH [Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving]
EQ MID [Gain: +15 dB/-15 dB, Frequency: 2.5kHz peaking]
EQ LOW [Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving]
PEAK LED [LED turns on when post EQ signal reaches 3 dB below clipping]
Level Meter [2 x 7 -segment LED meter (PEAK, +10, +6, 0, -6, -10, -20 dB)
Total harmonic distortion 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level – Equivalent input noise -128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Hum & noise level – Residual output noise -102 dBu (STEREO OUT, STEREO master fader: Min)
Crosstalk -83 dB
Power requirements PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha
Power consumption 22.9 W
Dimensions [W x H x D] 275 mm (10.8″) x 110 mm (4.3″) x 390 mm (15.4″)
Net weight 3.3 kg (7.3 lbs)
Accessories Included Accessory: AC Adaptor, Owner’s Manual, Cubase AI Download Information, Technical Specifications, Optional Accessory: Foot Switch FC5
Others Operating Temperature: 0 to +40˚C
Input Jacks – MIC/LINE 1 – 4 PAD 26 dB [OFF/ON]
GAIN Trim Position [OFF +64 dB, +20 dB/ON + 38 dB,-6 dB]
Actual Load Impedance [3kΩ]
For Use With Nominal [50-600Ω Mics/Lines], Input Level – Sensitivity*1 [OFF -80 dBu (0.077 mV), -36 dBu (12.3 mV)/ ON -54 dBu (1.55 mV), -10 dBu (245 mV)]
Input Level – Nominal [OFF -60 dBu (0.775 mV), -16 dBu (122.8 mV)/ ON -34 dBu (15.46 mV), +10 dBu (2.451 V)]
Input Level – Max. before clip [OFF -40 dBu (7.75 mV), +4 dBu (1.228 V)/ON -14 dBu (154.6 mV)/+30 dBu (24.51 V)], Connector [Combo jack *2 (Balanced)]
Input Jacks – LINE 5/6, 7/8 PAD 26 dB [-]
GAIN Trim Position [-]
Actual Load Impedance [10kΩ]
For Use With Nominal [600Ω Mics/Lines], Input Level – Sensitivity*1 [-30 dBu (24.5 mV)]
Input Level – Nominal [-10 dBu(245 mV)]
Input Level – Max. before clip [+10 dBu (2.45 V)]
Connector [Phone jack *5 RCA Pin (Unbalanced)]
Input Jacks – LINE 9/10 PAD 26 dB [-]
GAIN Trim Position [-]
Actual Load Impedance [10kΩ]
For Use With Nominal [600Ω Mics/Lines]
Input Level – Sensitivity*1 [-30 dBu (24.5 mV)]
Input Level – Nominal [-10 dBu(245 mV)]
Input Level – Max. before clip [+10 dBu (2.45 V)]
Connector [Phone jack *5 (Unbalanced)]
Output Terminals – STEREO OUT [L, R] Actual Source Impedance [75Ω]
For Use With Nominal [600Ω Lines]
Output Level – Nominal [+4 dBu(1.228 V)]
Output Level – Max. before clip [+24 dBu (12.28 V)]
Connector [XLR-3-32 *3 Phone jack *4 (Balanced)]
MONITOR OUT [L, R] FX SEND Actual Source Impedance [150Ω]
For Use With Nominal [10kΩ Lines]
Output Level – Nominal [+4 dBu(1.228 V)]
Output Level – Max. before clip [+20 dBu (7.750 V)]
Connector [Phone jack *4 (Impedance Balanced)]
Output Terminals – PHONES[L, R] Actual Source Impedance [110Ω]
For Use With Nominal [40Ω Phones]
Output Level – Nominal [3 mW + 3 mW]
Output Level – Max. before clip [100 mW + 100 mW]
Connector [Stereo phone jack]
Output Terminals – PHONES[L, R] Actual Source Impedance [110Ω]
For Use With Nominal [40Ω Phones]
Output Level – Nominal [3 mW + 3 mW]
Output Level – Max. before clip [100 mW + 100 mW]
Connector [Stereo phone jack]
Notes 0dBu is referenced to 0.775Vrms.
*1 Sensitivity is the lowest level that will produce an output of +4dBu (1.228V) or the nominal output level when the unit is set to maximum gain. (All level controls are maximum position.)
*2 1&Sleeve = GND, 2&Tip = HOT, 3&Ring = COLD
*3 1 = GND, 2 = HOT, 3 = COLD
*4 Tip = HOT, Ring = COLD, Sleeve = GND
*5 Tip = Signal, Sleeve = GND

10-Channel Mixing Console
Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)
1 Stereo Bus1 AUX (incl. FX)
“D-PRE” mic preamps with an inverted Darlington circuit
1-Knob compressors
High-grade effects: SPX with 24 programs
24-bit / 192kHz 2in / 2out USB Audio functions
Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter
Includes Cubase Al DAW software download version
Cubasis LE for iPad available at App Store
PAD switch on mono inputs
+48V phantom power
XLR balanced outputs
Metal chassis